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Arias for Bass. Arie per basso e pianoforte. Schirmer Hal Leonard

29.90

  • 1. Let Things Be Like They Always Was
  • 2. Epouse Quelque Brave Fille
  • 3. In Diesen Heil’Gen Hallen (The Magic Flute)
  • 4. Non Piu Andrai (The Marriage Of Figaro)
  • 5. La Calunnia(Bar-Seville-Rossini)
  • 6. Vecchia Zimarra(Boheme-Puccini)
  • 7. Madamina! Catalogo E Questo
  • 8. Ah,Un Foco Insolito(Donizetti)
  • 9. Infelice! E Tuo Credevi (Verdi)
  • 10. Prince Gremin’s Aria
  • 11. Vous Qui Faites L’Endormie
  • 12. Le Veau D’Or (Faust – Gounod)
  • 13. O Isis Und Osiris
  • 14. Se Vuol Ballare From Le Nozze Di Figaro
  • 15. Miei Rampolli Femminini
  • 16. O Wie Will Ich Triumphiren
  • 17. Schweig’ S–Damit Dich Niemand W
  • 18. Pour Les Couvents C’Est Fini
  • 19. Quand La Flamme De L’Amour
  • 20. Dalle Stanze (Donizetti)
  • 21. Als Bublein Klein (Nicolai)
  • 22. Come Dal Ciel Precipita (Verdi)
  • 23. What What Is It
  • 24. La Vendetta (The Marriage Of Figaro)
  • 25. Aprite Un Po’ Quegl’Occhi
  • 26. Il Lacerato Spirito (S.Boccaneg-
  • 27. Vi Ravviso
  • 28. O Tu, Palermo (Vespri Siciliani)
COD: HL50481101 Categorie: ,
Autore: AAVV
Editore: HAL LEONARD
Revisore: LARSEN
Organico: VOCE BASSO E PF
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Arias for Bass (Schirmer Opera Anthology). Arie per voce bassa e pianoforte. Schirmer Hal Leonard Publications

Each aria has been painstakingly researched in preparing the new additions, creating what I believe, will be an eminently, credible, and useful source for this music. There are countless incidents were notes or words have been corrected to create a more substantiated presentation than in previous additions. Throughout the collections, one will find many spots where traditional cadenzas are recommended. Appropriate appoggiaturas, as defined by conservative application of tradition, are indicated as well. They are instances where an entirely refused piano reduction, more representative of the full score, has been created.These anthologies are for all of us who must remain students of our art throughout our lifetimes.’ – Robert L. Larsen

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